Festival Events Calendar
Tuesday Aug 1
6:00 pG. Bellows' America
Thursday Aug 3
10:00 aThe Cocoanuts
1:30 pAlex's Ragtime Band
4:30 pBerlin's Songs
7:30 pCheek To Cheek
Friday Aug 4
10:00 aTop Hat
2:30 pHeat Wave
4:30 p20s In Revue
7:30 pBlue Skies
Saturday Aug 5
10:00 aLet Yourself Go!
2:30 pA Day In The Life
4:30 pThe Real Anthem
7:30 pAnnie Get Your Gun
Sunday Aug 6
2:30 pAnnie Get Your Gun
Tuesday Aug 8
10:00 aFilm: Annie Get Your Gun
7:30 pAnnie Get Your Gun
Wednesday Aug 9
10:00 aFollow The Fleet
2:30 pCome On And Hear
4:30 pTin Pan Alley & The South
7:30 pAnnie Get Your Gun
Thursday Aug 10
10:00 aHoliday Inn
2:30 pFace The Music
4:30 pBerlin The Man
7:30 pYou're Just In Love
Friday Aug 11
10:00 aCall Me Madam
2:30 pMan Bites Dog
4:30 pBerlin On America
7:30 pAnnie Get Your Gun
Saturday Aug 12
2:30 pMy Walking Stick
7:30 pSay It With Music
The Shedd Ticket Office
Hearing Loop

Spaces looped
– at The Shedd –

Jaqua Concert Hall
Sheffer Recital Hall
Cole Gallery
Warren Court
Room B09
Shedd Ticket Office
Will Call desk

  • Description
  • Personnel
Featured artwork: George Bellows,
New York, 1911
When we began the search for this year's featured artwork, we found ourselves drawn immediately to the "Ashcan School", that loose confederation of early 20th century New York-based artists who, under the leadership of Robert Henri chose as their principle subjects scenes of every day life, especially of the urban working class. Of those in that movement that we have always found of special interest is George Wesley Bellow (1882 - 1925). It is his 1911 depiction of New York from the National Gallery that we have chosen to represent the spirit of Irving Berlin's America.

Born and raised in Columbus, Ohio, Bellows attended Ohio State University before moving to New York City in 1904 and undertaking studies at the famed New York School of Art under Robert Henri. But while he has always been closely associated with the Ashcan School and the group of Henri-influenced artists known as "The Eight" (indeed because of the paintings he did during the early 1910s like New York, The Cliff Dwellers, and his famous boxing series), Bellows was far too individualistic and ecclectic in his aesthetic throughout his professional career to be categorized to that movement exclusively. His subjects and techniques varied widely from poor to rich, from urban to landscape, from pastoral and domestic to political activism.

On this level, he was like Irving Berlin -- a keen observer of American life in all its dimensions who was unabashed and confident in the pursuit of what he saw of his world and of his interpretation of and stamp on the same. Each man and his work reflects, in his own way, the best spirit of an increasingly confident, self-defining polyglot nation on the eve of its coming into its own during the early decades of what many historians aptly call "The American Century".

Beyond that, these two artists were in very different worlds. We juxtapose their art as we have always done: in our strong sense that two artists living in contemporary but non-crossing--and even remarkably divergent--milieu reveal to us far more of their age than we could otherwise see.

We thus open our 10-day festival of exploration and celebration of "Irving Berlin's America" with an evening in consideration of the America of George Wesley Bellows.

Event Personnel
Ginevra Ralph, Speaker
Ticket/Venue Info
George Bellows' America Ticket Prices
Discount Prices
GA50.00  -   -   -   -  
Jaqua Concert Hall
The John G. Shedd Institute for the Arts
285 E Broadway
Eugene, Oregon
OFAM 2006 Title Sponsor
The Eye Center
Shedd Presenting Sponsor