At the Octoroon Balls features the world-premiere recording of Marsalis' first string quartet, performed by the Orion Quartet. The work was commissioned by Lincoln Center, and its premiere by the Orion Quartet in 1995 was presented in conjunction with the Chamber Music Society of Lincoln Center. A Fiddler's Tale, also commissioned by the Chamber Music Society of Lincoln Center for MARSALIS/STRAVINSKY, a joint project of the Chamber Music Society of Lincoln Center and Jazz At Lincoln Center, is work with narration about a musician who sells her soul to a record producer. It was premiered on April 23, 1998, at Hill Auditorium in Ann Arbor, Michigan. A version without narration was included on the album At the Octoroon Balls: String Quartet No. 1. Reeltime is Marsalis' score for the acclaimed John Singelton film Rosewood. This original music, featuring vocal performances by best-selling artists Cassandra Wilson and Shirley Caesar, was never used in the film and is available here for the first time. Sweet Release and Ghost Story offers another world premiere recording of two original ballet scores by Marsalis, written for and premiered by the Alvin Ailey American Dance Theater and the Zhong Mei Dance Company, both in New York City.

As an exclusive classical artist for Sony Classical, Marsalis has won critical acclaim for the recording In Gabriel's Garden (SK/ST 66244), featuring Baroque music for trumpet and orchestra. It includes performances of Bach's Brandenburg Concerto no. 2 and Mouret's Rondeau, a video of which has been adopted as the new theme for PBS's Masterpiece Theatre. The San Francisco Examiner wrote, "Marsalis continues to define great musicmaking…[the pieces] are all articulated with dazzling clarity and enthusiasm." The album features the English Chamber Orchestra, conducted by Anthony Newman, and was produced by Steven Epstein.

Marsalis' other Sony Classical recordings include concert, chamber and solo music for trumpet from the Baroque, Classical, Romantic and 20th-century repertoires.

Marsalis' recent release, Classic Wynton (SK/ST 60804), is a collection of the artist's work, featuring music for trumpet from the Baroque era to the twentieth century. Highlights of the album include a duet with Kathleen Battle from the best-selling recording Baroque Duet, Mouret's "Rondeau", Clarke's "The King's March" and "The Prince of Denmark's March", a movement from Bach's Brandenburg Concerto No. 2 and Stanley's "Trumpet Voluntary". Classic Wynton also includes a previously unreleased track -- The Prayer of St. Gregory by Hovhaness.

Other recent Sony Classical recordings include Jump Start & Jazz, which features Marsalis' first ballet scores, written for two choreographers, Twyla Tharp and the New York City Ballet's Peter Martins, and LIBERTY! The American Revolution, the soundtrack by Mark O'Connor to a three-part, six-hour PBS dramatic documentary series by the same name about the birth of the United States. O'Connor composed the duet for violin and trumpet "Brave Wolfe" (a tribute to the heroic death of British General James Wolfe) specifically with Wynton Marsalis in mind.

Winner of eight Grammy awards for his jazz and classical recordings, Marsalis has also been creatively involved in musical education. His four-part, Peabody Award-winning TV series Marsalis on Music, released on home video by Sony Classical, introduces young viewers to the adventure of making music. USA Today hailed Marsalis on Music as "a thrilling four-part seminar of music appreciation written and literally conducted by the affable Wynton Marsalis. Comparisons to Leonard Bernstein's famed "Young People's Concerts" are appropriate."

Born October 18, 1961, in New Orleans, the second of six sons of Dolores and Ellis Marsalis, Wynton Marsalis began studying trumpet seriously at age twelve. During high school he performed in local marching bands, jazz bands, funk bands, and classical orchestras, and at age eighteen he moved to New York to attend the Juilliard School of Music. In the summer of 1980, he became a member of Art Blakey's Jazz Messengers and that same year signed with Columbia Records. Since his self-titled debut was released in 1982, Marsalis' numerous jazz and classical recordings for Columbia and Sony Classical have sold nearly five million copies world wide. He has taken his jazz groups to thirty countries on six continents, averaging more than 120 concerts per year for many of the past sixteen years.

Marsalis serves as artistic director for the internationally recognised Jazz at Lincoln Center program, which he co-founded in 1987. Under his leadership, the jazz department earned the distinction of being named Lincoln Center's first new constituent organisation since 1969. Several commissioned works for the program are among his most recent successes as a composer. The oratorio Blood on the Fields, written in 1994, was named one of the top ten music highlights of the year by Time magazine. The New York Times Magazine said the work "marked the symbolic moment when the full heritage of the line, Ellington through Mingus, was extended into the present. It also reflects a full awareness of Copland and Stravinsky."

An international tour for Blood on the Fields, presented by Jazz at Lincoln Center in early 1997, featured vocalists Cassandra Wilson, Jon Hendricks and Miles Griffith with the Lincoln Center Jazz Orchestra. The work was released as a three-CD set by Columbia in April 1997. The extended septet work In This House On This Morning, which was premiered at Lincoln Center in 1983 and released on CD by Columbia in 1994, was termed "a spiritual feast" and a "masterpiece" by Ebony. Another important Lincoln Center commission, Marsalis' first string quartet, At The Octoroon Balls, was premiered by the Orion String Quartet in May 1995 and was presented in conjunction with the Chamber Music Society of Lincoln Center.